Boka Halat
Forum Stage 4.45 pm - FREE
FOLK? WORLD? ROOTS? FORGET THE LABELS, LISTEN
& DANCE TO THE MUSIC!
The one question about their band Boka Halat
which makes band leaders Roger Watson and Musa Mboob take deep
breaths and roll their eyes is: "What kind of music is it
then?" How do you classify the unclassifiable? Particularly
when the whole point of the band is to breakdown stereotype images
of the people who play in it. Their wry answer to the genre question
is: the music you’d expect this group of people to make.
The Boka Halat technique is not ‘serial
multiculturalism’. The name means ‘mutual inspiration’
in Musa’s native Gambian Wolof language, and the technique
is INTERcultural: to see what a group of diverse musicians can
create which none of them could arrive at on their own. Wherever
the melodic or rhythmic stimulus originates, the band builds its
arrangement on each member contributing a response from his own
experience. Don’t expect the African songs to sound like
Ladysmith Black Mambazo or Yussou N’Dour, nor the English
ones like Show of Hands or Maddy Prior. Instead, be amazed at
how naturally an English ballad sits with rhythms from the Gambia
and the haunting sound of the riti, or at how a song based on
the Mandinka rice harvest can move smoothly into a jig from Wessex.
Try finding a genre pigeon-hole for that!
"Hand-on-heart
I swear they were the most
inspiring,
exciting, fun thing I saw all week"
- Ian Anderson, fRoots, on Boka Halat at Sidmouth Festival
"The audience
were ecstatic and the organisers delighted!"
- Steve Heap, Towersey Festival
"Friends
are still talking about it and people danced
who have never danced before"
- Beaty Jenkyns, Hitchin
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